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Damn dirty apes in August

Gregzs

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20th Century Fox's Rise of the Apes has been bouncing all over the calendar, but now the studio seems have settled on this August 5th. To celebrate, CBM re-presents this exclusive interview with the film's director Rupert Wyatt.
Interview conducted by and copyright Edward Gross

As has been well established by this point, the film explores the ramifications of genetic experimentation on chimpanzees by a scientist (James Franco) who is desperately searching for a cure to his father???s (John Lithgow) Alzheimer???s Disease. The results of this experimentation triggers a series of dominoes that will result in humanity???s decline and the ascension of the apes.

Wyatt, best known for directing The Escapist, can???t say much about the film at this stage, though he does reveal that the film will feature different facets of evolution that are as significant for the apes as the discovery of fire and learning how to use a wheel were for humans.

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???There are a lot of things that relate to how we???ve evolved as a species,??? he says, ???and the great thing about movies, and the ability to do this in a story, is we???ve been able to show all of that evolution in one generation of this chimp [Caesar, played by Andy Serkis]. This movie is laying the groundwork for what is to come, and of course we???ve tried to be faithful out of respect for the original and out of love for the original. But at the same time, like any re-imagining of an ultimately very mythological story, there are changes. My approach has been to imagine this as a bit like a Bible story in a way. This is a story that???s going to be told by generations of chimpanzees as the passing of stories down from father to son in the future civilization of the apes. So when they talk about the heroic Buck the Gorilla, they will talk about him in mythical terms, because he was the first gorilla to rise up. The same with Caesar. So it???s a very ambitious story, and a very challenging one to tell.

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???We are an origins story, in the purest sense of the word,??? Wyatt continues. ???My inspiration is that if you take those final lines from Charlton Heston [in the original Planet of the Apes] on the beach, looking up at the Statue of Liberty, and he???s shouting up at the sky, ???You did it! You really went and did it!???, we discovered that we as a civilization went to hell in a hand basket. Now obviously that was the 1968 film made at the height of the Cold War, and with the threat of nuclear war ever present. The thing is that all of those things that really reflected the culture then, today, within movie making and storytelling, we???re not in that dissimilar a world. Even more so, one might say. So the world within which we???ve told this story is a world of oil spills in the Gulf of Mexico, of economic unrest, the fear of terrorism??? so many things. That???s a great way to kick off why our civilization has come to an untimely end, and this is the beginning of a new one.???

He does emphasize that Caesar: Rise of the Apes doesn???t go as far as showing the civilization that???s to come. ???It???s just beginning,??? he says, ???the rest is the sequel, and hopefully there will be many more after that. I think the perfect sequel to this would be the actual war between the apes and the humans, which could be a fun story to tell.???

The Apes Rise on August 5th - Plus CBM's Exclusive Interview with Director Rupert Wyatt
 
First Sinister Glimpse Of Caesar From Rise Of The Apes!

At Cinemacon, 20th Century Fox were handing out promotional calendar's with various images from their upcoming movies, including our first glimpse of the villainous Caesar...
Set in San Francisco, a young scientist desperately searches for a way to cure his ailing father’s Alzheimer’s. He begins immediate working by testing the cure on chimpanzees. When one of his test subjects, Caesar, begins to show rapid mental evolution, the scientist takes him home to save him from cruel lab owners. As Caesar’s intelligence grows, so do his ambitions for freedom and power.


First Sinister Glimpse Of Caesar From Rise Of The Apes!
 
UPDATE: Andy Serkis Confirmed for Rise of the Planet of the Apes Sequel

UPDATE: Andy Serkis Confirmed for Rise of the Planet of the Apes Sequel

With Rise of the Planet of the Apes being a big hit for the studio, Andy Serkis who did the motion capture work for 'Caesar', has signed on to reprise his role in the planned sequel. More after the jump...
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Rupert Wyatt's Rise of the Planet of the Apes was a surprise hit this summer, both critically and financially, grossing over $450 million worldwide. Now, according to Deadline, Andy Serkis who played 'Caesar' has signed on for the sequel, since his contract was for only one film.

"The studio just closed what I’m told is a healthy seven-figure deal for Andy Serkis to reprise his role as lead ape Caesar. Serkis had only signed on for one movie, so his reps had leverage in ensuring that he come back to continue leading the ape takeover in multiple future installments of the series. Director Rupert Wyatt’s original deal came with a sequel option, so he’s locked."


UPDATE: With some fans trying to get the studio to push the Oscar campaign for his performance, Deadline has an update:

"Fox informs me that the studio will wage an Oscar campaign for Andy Serkis for Rise of the Planet of the Apes."
 
Mark Wahlberg On The Failure Of Tim Burton's PLANET OF THE APES

While Planet of the Apes directed by Tim Burton was a box office success, many fans and critics felt that overall, it was a disappointing remake. Well, Mark Wahlberg, who had the leading role in the film, feels the same way. Talking to MTV, he said that the whole thing was rushed, and that the film was not ready to be released:


If he saw the Rupert Wyatt-directed film Rise of the Planet of the Apes:


"I haven't seen it yet, but I heard it was pretty damn good. Well, ours wasn't. It is what it is. Ours wasn't."</I>

"They didn't have the script right. They had a release date before he had shot a foot of film. They were pushing him and pushing him in the wrong direction. You have got to let Tim do his thing."​

But, according to Wahlberg, that was the best time he had on a film set:


"I have no better time on any movie than I had working with Tim. I had the most amazing time with Tim. I run to be on the set with him. We were doing reshoots, and he came out with me to Paris. We're in the club. Tim was in the club, man. Tim was in the club. Then he'd be drawing people, and all of his caricatures looked the same. He'd be drawing people in the club."​
 
Damn it...

Bamboozled...

I thought this was a racist thread...

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VIDEO: See Andy Serkis Perform A Scene From ROTPOTA As Himself

VIDEO: See Andy Serkis Perform A Scene From ROTPOTA As Himself

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Check out this awesome vid of Serkis acting in an emotional scene from Rise Of The Planet Of The Apes before he was "Apeified".. Mark "RorMachine" Cassidy - 1/12/2012

As part of 20th Century Fox's campaign to land Serkis a best supporting actor nomination for his role as Caesar, Hitfix have this great vid featuring a pre mo-cap Serkis performing his goodbye scene with James Franco and Freida Pinto
 
Review: Beware of Spoilers

http://www.nerdist.com/2014/07/great-apes-dawn-of-the-planet-of-the-apes-2014/

Great Apes!: Dawn of the Planet of the Apes (2014)

In the eighth and final (for now) installment of Great Apes!, we look at the most recent film in the Planet of the Apes franchise, and find a pretty ripping wartime polemic, although one strangely devoid of levity.

I mentioned in the very first Great Apes! article that one of the central appealing factors of the 1968 original was its mixture of apocalyptic commentary and subtle absurdist humor. When the Apes franchise started a new continuity in 2011 &#150; now being directly continued in Dawn of the Planet of the Apes &#150; I noted that the tone was much more stern than its predecessors. I wasn&#146;t necessarily disturbed by the lack of levity, but I did note it as an interesting choice. Dawn of the Planet of the Apes takes the stern tone of Rise of the Planet of the Apes and expands it. The violence is more extensive, the tension much higher, and the conflicts much more dramatic. At 130 minutes, it&#146;s also the longest film in the entire Apes series, turning it from a simple sci-fi yarn into a summertime Hollywood action epic. It&#146;s also a pretty darn good movie.

I have to address the special effects right away. The previous film used the latest in CGI motion capture technology to make digital avatars of intelligent apes, avatars that were stirringly convincing. Dawn of the Planet of the Apes is perhaps the first film I have seen to use extensive digital effects that, well, actually look real. I knew intellectually that I was looking at digital effects, but the technology has finally advanced to such a degree that I was wholly convinced of the reality of the digital imagery. Without hyperbole, I can say that this film has some of the best special effects I&#146;ve ever seen. It perhaps helps that the digital apes and the live-action human actors do not touch one another, highlighting their on-camera differences. But looking at these apes, one can be almost 100% convinced that they are actual chimpanzees grunting English words at one another.

Dawn of the Planet of the Apes is essentially a mulligan for Battle for the Planet of the Apes. I think we can say that now all is forgiven. Indeed, I might even allow this film to act as penance for the much-hated 1996 version of The Island of Dr. Moreau, a enjoyably crazy but often maligned man vs. animal movie. Dawn takes place about a decade after Rise, in a near future wherein a few virus-resistant humans &#150; the only ones left alive on a ruined Earth &#150; live in protected cities with barely enough power to survive. The apes, including Caesar (motion capture by Andy Serkis) have formed their own rudimentary villages, complete with structures, schools, and a language that consists partly of sign language and partly of raspy English. They even have a primary law: Ape shall not kill ape, a law taken from Battle.

The story is a polemic about nonviolence vs. those who are interested in war. Caesar wants to live in peace, but is constantly butting heads with his ape lieutenant Koba (motion capture by rising star Toby Kebbell) who wants to kill all humans. Koba is clearly modeled after General Aldo from Battle. The humans, meanwhile are having a similar conflict. Peaceful engineer Malcolm (Jason Clarke) wants to trek into ape territory to fix a dam in order to power the nearby human village, whilst his violent lieutenant Carver (Kirk Acevedo) wants to kill all apes. The human characters all have direct ape analogues in the film. While the central battle will be between apes and humans, the thematic conflict will be between warmongers and peaceniks within their respective species. The themes don&#146;t penetrate nearly as deeply as some of the previous ape movies, and they&#146;re hardly subtle (Conquest and the original Planet were both richer and had more finesse about it), but I was relieved to see that they were present.

There is a primal, hilarious thrill to seeing an ape on horseback, firing two machine guns into the air, screaming in monkey rage, which is something that happens in the film&#146;s climax. The film is shooting for a somber and serious tone, but at least throws me &#150; admittedly a guy with a weird sense of humor &#150; a few bones of fun weirdness. Or maybe I am personally too entertained by such imagery; I giggled a lot while watching the movie. Either way, it&#146;s a good time. Dawn runs a bit too long, and some of the final act plot details seems tacked on; the final battle is actually only a penultimate battle. But overall, this is a gorgeous, fun, very entertaining movie. It&#146;s not the best in the series (I am, for better or worse, ever a classicist who often prefers originals to remakes), but I would rank it higher than Rise. It&#146;s a slick, fun, impeccably made action spectacular.

Where does the Apes series go from here? Dawn ends on an ambiguous note, implying that there will be future violence between ape and man. Perhaps the next film will deal more directly with the fall of humans. Is this new Ape continuity going to lead us to something like in the 1968 original, wherein apes are upright, well-dressed intellectuals, and humans are mute animals in cages? I hope so. But we&#146;ll have to start skipping whole millennia for that, and I&#146;m not entirely sure the filmmakers are yet ready to start this particular continuity with all new characters just yet.

If they continue to be successful, we&#146;ll eventually find out.

http://www.nerdist.com/tag/great-apes/
 
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